Kanō Eitoku | Muromachi period, Azuchi-Momoyama period ... Kanō Eitoku (狩野 永徳, Febru – Octo) was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one of the most prominent patriarchs of the Kanō school of Japanese painting.Chinese Lions | painting by Kanō Eitoku | Britannica “Chinese Lions”, Kanō Eitoku and Kanō Tsunenobu, 16th century, ink and gold leaf on paper. Image Source. “Chinese Lions” Today, we travel to Japan, to the bold and strong brushwork of the Kanō school of art. This large-sized pair of folding screens with six panels, titled “Chinese Lions”, are made with ink and gold leaf on paper.chinese lions kano eitoku biography3 Kano Eitoku (狩野永徳) Eitoku KANO (Febru - Octo) was a painter who lived during the Azuchi-Momoyama period. He was a leading painter of the Kano school (a painting school that served as a focal point for the art circles of Japan from the Muromachi period through to the Edo period) and remains one of the best-known painters in the history of Japanese art. Kano eitoku cypress trees
This large-sized pair of folding screens with six panels, titled “Chinese Lions”, are made with ink and gold leaf on paper. This set of screens has often been credited to the Japanese master artist, Kanō Eitoku, who lived in the latter half of the sixteenth century. Kano eitoku artwork
Kanō Eitoku (狩野 永徳, Febru – Octo) was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one of the most prominent patriarchs of the Kanō school of Japanese painting. The Folding Screen Painting of Chinese Lions by Kano Eitoku
It is a painting by Kano Eitoku (), a representative painter of the Azuchi-Momoyama Period. He drew two shishis (lions) that most people have not seen though there were no zoo in Japan at that time. He did not see an actual lion and depicted it.
A background history on “Chinese Lions” by by the Japanese artists, Kano Eitoku and Kano Tsunenobu, late 16th century. Chinese Lions. Chinese Lions. The right screen is famous the confirmatory work of Kano Eitoku (1543-90), a master of the Momoyama art world, identified by its colophon by Kano Tan' yu. There's no doubt that this is by Eitoku because of the impressive and valiant depiction of imposing tigers striding among rocks with strong brushwork in spite.
Kanō Eitoku (狩野 永徳, Febru – Octo) was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one. The right screen is famous as the confirmatory work of Kano Eitoku(1543-90), a master of the Momoyama art world, indentified by its colophon by Kano Tan'yu. There is no doubt that this is by Eitoku because of the impressive and valiant depiction of imposing tigers striding among rocks with strong brushwork in spite of simple composition.
Kano Eitoku - Japanese Wiki Corpus
Notable extant works of his include "Karajishi-zu Byobu" (a folding screen with a painting depicting karajishi, which is the Japanese word for Chinese lions), "Rakuchu Rakugai-zu" (a painting depicting Kyoto and its surroundings) and "Juko-in Shohekiga" (a wall painting at the Juko-in Temple). Kanō Eitoku – Wikipedia
The right screen is famous the confirmatory work of Kano Eitoku (), a master of the Momoyama art world, identified by its colophon by Kano Tan' yu. There's no doubt that this is by Eitoku because of the impressive and valiant depiction of imposing tigers striding among rocks with strong brushwork in spite of simple composition. Chinese lions kano eitoku biography4
Kanō Eitoku (born Feb. 16, , Kyōto, Japan—died Oct. 12, , Kyōto) was a fifth-generation scion of the famous Kanō family of Japanese artists who created the style of the Azuchi-Momoyama period (–) screen paintings.
Kanō Eitoku - 12 artworks - painting -
Kanō Eitoku ( –) was a Japanese painter of the Muromachi Period. He was a fifth-generation member of the Kanō family of Japanese artists, who created the style of the Azuchi-Momoyama period ( – ) screen paintings. Chinese Lions|About the Works|TSUZURI Project - Canon Global
Kanō Eitoku (狩野 永徳, February 16, – October 12, ) was a Japanese painter who lived during the Azuchi–Momoyama period of Japanese history and one of the most prominent patriarchs of the Kanō school of Japanese painting.